The main theme or keyword of a particular post, maybe with reference to a teaching or national curriculum topic.
Specific therapeutic pedagogies that help people ‘vent’ their traumas and issues, with lots of practical suggestions and a rationale for ‘letting it all spill out’ in educational settings.
How freewriting and drawing can have a therapeutic effect when working online. It draws upon the experience of my students and my colleague, Dr Miranda Matthews. It also suggests a methodology for this approach.
Creative writing can be used to nurture ecoliteracie, helping people developing an organic, ecological view of language.
A summary of a presentation at NAWE Conference 2021, suggesting some ways of teaching creative writing online, using puppets, stories, drawings and metacognition.
One of the purposes of teaching creative writing is ‘to heal’, in other words, creative writing is taught as a form of therapy, maybe more than is openly stated. Many teachers set therapeutic tasks so the author can learn and grow from the experience of writing about it.
Some of the lessons I learnt during the Covid lockdown, about staying sane, being mindful and engaging with technology
On Covid-19 related research, for the British Educational Research Association.
Teaching Orwell’s “1984” as a set text in an examination-obsessed and heavily surveilled school system.
How mindfulness can be used by creative writers to develop their practice and pedagogy
My interactions with the teaching strategy known as Reciprocal Teaching (or Reciprocal Reading), which involves students learning to read collaboratively in small groups.
How I became ‘aesthetically literate’, and used other artistic work to educate and heal myself. ‘Aesthetic literacy’ may even be more important than other forms of literacy because of its therapeutic dimensions.
Is English a mindful subject? How can mindfulness help English teachers teach their subject? I argue that awareness of the present moment can help learners appreciate the qualities of literature.
A creative writing and reading project, carried out at Deptford Green school, which put the principles of Reciprocal Teaching into practice.
There are certain pedagogical strategies, such as encouraging freewriting, using prompts and fostering flow which can significantly help learners to write creatively.
An anthology written by creative teachers with diverse experience. The focus is on how to teach creative writing in imaginative, practical and socially just ways, helping people of all ages and backgrounds to write.
A fantastic time-travelling story in the format of a ‘teaching script’, which helps teenage readers improve their ability to skim, scan, summarise, and ask questions.
These suggestions are based on the points raised at the Reading Revolution Conference held at Goldsmiths, University of London on Saturday 23rd September 2017. ONE: Encourage Reading for Pleasure Read for the sake of reading. Read aloud, read in groups, read in pairs, read silently. Read poems, stories, articles, blogs, relevant social media and so […]
Yesterday I spoke at the Guardian Education Centre for a conference on Reading for Pleasure in the secondary classroom. The Guardian’s literary editor, Claire Armistead, kicked off the day by explaining that we need our young people to enjoy reading and to read whole texts which are not part of the curriculum; she pointed out […]
I’ve been working hard at helping Key Stage 3 students in Deptford Green school, a London comprehensive, to develop their reading skills. To that end, I have written a book, The Time Devil, which is set partly in Deptford Green and partly in the National Maritime Museum, whom we are also working with. I have […]
I had a very enjoyable day at Goldsmiths on the summer solstice to celebrate National Writing Day. The summer solstice is: “the time at which the sun is at its northernmost point in the sky (southernmost point in the South hemisphere), appearing at noon at its highest altitude above the horizon.” It is midsummer; the […]