The main theme or keyword of a particular post, maybe with reference to a teaching or national curriculum topic.
Lorna Smith’s book could not be timelier. It is published at a point when creativity – in all its manifold forms and iterations – is under serious attack in educational jurisdictions across the world.
A review of ‘Out of Time: Poetry From the Climate Emergency’
“Teachers themselves should be writers” and the ways in which writing for pleasure can be nurtured by English teachers.
How teacher-writers can improve their craft and pedagogy by writing for a specific audience, namely school children. And why they might do so.
To “diagrart” (my neologism combining the words diagrams, dialogue and art), one must write and draw, and believe you are creating art, no matter how crude you think your work to be.
Reciprocal Teaching re-orders education by fostering meaningful relationships, challenging the hegemony of neoliberal schools: it is a rebellion against their authoritarianism.
Specific therapeutic pedagogies that help people ‘vent’ their traumas and issues, with lots of practical suggestions and a rationale for ‘letting it all spill out’ in educational settings.
How freewriting and drawing can have a therapeutic effect when working online. It draws upon the experience of my students and my colleague, Dr Miranda Matthews. It also suggests a methodology for this approach.
Creative writing can be used to nurture ecoliteracie, helping people developing an organic, ecological view of language.
A summary of a presentation at NAWE Conference 2021, suggesting some ways of teaching creative writing online, using puppets, stories, drawings and metacognition.
One of the purposes of teaching creative writing is ‘to heal’, in other words, creative writing is taught as a form of therapy, maybe more than is openly stated. Many teachers set therapeutic tasks so the author can learn and grow from the experience of writing about it.
Some of the lessons I learnt during the Covid lockdown, about staying sane, being mindful and engaging with technology
On Covid-19 related research, for the British Educational Research Association.
Teaching Orwell’s “1984” as a set text in an examination-obsessed and heavily surveilled school system.
How mindfulness can be used by creative writers to develop their practice and pedagogy
My interactions with the teaching strategy known as Reciprocal Teaching (or Reciprocal Reading), which involves students learning to read collaboratively in small groups.
How I became ‘aesthetically literate’, and used other artistic work to educate and heal myself. ‘Aesthetic literacy’ may even be more important than other forms of literacy because of its therapeutic dimensions.
Is English a mindful subject? How can mindfulness help English teachers teach their subject? I argue that awareness of the present moment can help learners appreciate the qualities of literature.
A creative writing and reading project, carried out at Deptford Green school, which put the principles of Reciprocal Teaching into practice.
There are certain pedagogical strategies, such as encouraging freewriting, using prompts and fostering flow which can significantly help learners to write creatively.