Key concept
The main theme or keyword of a particular post, maybe with reference to a teaching or national curriculum topic.
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Towards boundary crossing: primary and secondary school teachers teaching creative writing and its redrafting
This academic article, written by Professor Tom Dobson and I, explores the research we did looking at primary and secondary school teachers attitudes towards creative writing and redrafting. This is a rare piece of research which compares primary and secondary school teachers’ approaches to teaching creative writing. It shows that primary school teachers can be formulaic in the way they teach creative writing, using product approaches. However, in secondary schools the picture is different: teachers, particularly those, who are writers themselves, give students more agency in redrafting and shaping their writing. This indicates how professional development should involve primary and secondary school teachers in dialogue with one another to cross boundaries of practice.
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The British Library, research and creative writing
Creative writing can be used to help people engage with the British Library and its collection. MA students led members of the public through the Library, inviting creative responses to its archive and exhibitions.
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Four reasons there is a Connected Curriculum at Goldsmiths
Why bring all the students at a university together to learn critical thinking and research skills?
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Of Note- Four Ways Taking Notes have Enriched My Life
Notes have helped me remember; they’re my safe space; they’re therapeutic; and they’ve liberated my imagination
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Creative Power: Investigating Creative Writing & Its Value
An instructive and inspiring collection written by Masters’ students at Goldsmiths’ university, and pupils from South London schools. Essential reading for anyone interested in finding ways of thriving in a fractured world.
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Diversity and Inspiration: a fantastic anthology for creative writers & teachers
This book contains many tips for helping teachers of creative writing, written by my students on the MA Creative Writing and Education at Goldsmiths.
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A Century of Teaching Creative Writing in Schools: the Newbolt Report and teaching creative writing
Newbolt strongly advocates imaginative ways of teaching writing, championing self-expression above rote-learning.
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The Haunted House: Teaching Creative Writing Through Collaborative Learning to 9-13 year olds
Many teachers of creative writing find teaching 9-13-year-olds tricky. What exactly should you teach? And how? I might have discovered an answer…
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Becoming the falconer: productive feedback for the redrafting of creative writing
Aspects of the neoliberal education system can preclude the development of young writers. Feedback can be unempathetic, but it can also be productive, creating an internal dialogue that develops the writer over time.
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Teaching Mindfulness in an Unmindful System
A case study of a mindfulness teacher, Beth, and her experiences of teaching mindfulness to 11- to 16-year-olds in several English schools
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Review of Creativity in the English Curriculum: Historical Perspectives and Future Directions by Lorna Smith
Lorna Smith’s book could not be timelier. It is published at a point when creativity – in all its manifold forms and iterations – is under serious attack in educational jurisdictions across the world.
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Review of Out of Time: Poetry From the Climate Emergency
A review of ‘Out of Time: Poetry From the Climate Emergency’
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Review of “Real-World Writers: A Handbook for Teaching Writing with 7-11 Year Olds”, by Ross Young and Felicity Ferguson
“Teachers themselves should be writers” and the ways in which writing for pleasure can be nurtured by English teachers.
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The Time Devil runs amok: How I improved my creative practice by adopting a multimodal approach for a specific audience.
How teacher-writers can improve their craft and pedagogy by writing for a specific audience, namely school children. And why they might do so.
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Diagrarting: theorising and practising new ways of writing and drawing
To “diagrart” (my neologism combining the words diagrams, dialogue and art), one must write and draw, and believe you are creating art, no matter how crude you think your work to be.
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The Reciprocal Rebellion: Promoting Discussion in Authoritarian Schools
Reciprocal Teaching re-orders education by fostering meaningful relationships, challenging the hegemony of neoliberal schools: it is a rebellion against their authoritarianism.
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Letting it all spill out: the benefits of venting for creative writing teachers and students.
Specific therapeutic pedagogies that help people ‘vent’ their traumas and issues, with lots of practical suggestions and a rationale for ‘letting it all spill out’ in educational settings.
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Affective digital presence: how to free online writing and drawing?
How freewriting and drawing can have a therapeutic effect when working online. It draws upon the experience of my students and my colleague, Dr Miranda Matthews. It also suggests a methodology for this approach.
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What’s Next? Ecoliteracies and creative writing
Creative writing can be used to nurture ecoliteracie, helping people developing an organic, ecological view of language.
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Teaching Creative Writing Online: Research-Informed Strategies
A summary of a presentation at NAWE Conference 2021, suggesting some ways of teaching creative writing online, using puppets, stories, drawings and metacognition.